![]() The social dimension of Europe’s seasonality (and specifically of its valuable summer) as captured in this film provides useful visualization for area studies courses. Petersburg has the White Nights Festival in June). The film’s focus on nocturnal hours (as highlighted in its title) is natural: not only are these universally the hours of young people, but also regionally the summer time (with its drastically reduced nights) has a much higher significance in northern Eastern Europe compared to, say, California, and is indeed fully celebrated by young Poles and their neighbors (St. This coming-of-age documentary-fiction hybrid docudrama in scenes both staged and scripted focuses on Kris (Krzysztof Baginski) and his contemporary Polish twentysomething friends and ex-lovers who play themselves and take the viewer with them through nostalgic EDM soundscapes of Warsaw. The film is indeed in many respects unconventional yet should be noticed and appreciated by teachers of courses on urban sociology, Eastern Europe, youth cultures and sociology. ![]() After Michal Marczak won the directing prize in the World Cinema Documentary competition at the prestigious Sundance film festival, this film received considerable attention and praise (e.g., “movie that Terrence Malick has been trying to make”, IndieWire) even if its “fittingly surreal nocturnal vibe” ( The Los Angeles Times) may have resulted in “favoring lyricism above substance“ ( The New York Times).
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